---
area: "society-thinking"
category: culture
companies_orgs:
- Amazon
- Uber
date: '2025-07-19'
draft: true
guest: ''
insight: ''
layout: post.njk
media_books:
- Squid Game
- The Hunger Games
- 'The Hunger Games: Sparks'
- Evangelion
- Death Note
project: []
series: ''
source: https://www.youtube.com/watch?v=lXP8xBAUato
speaker: 超級歪 SuperY
status: evergreen
summary: 本文深入剖析了热门剧集《鱿鱼游戏》，从哲学角度探讨其对资本主义社会中债务问题、结构性支配、劳动游戏化及景观社会等现象的批判。文章引用多位哲学家和思想家的观点，揭示了资本主义如何通过制造“负债人”、将工作转化为零和游戏、以及将苦难变为娱乐景观来维持其运作，并探讨了在这一困境中，个人如何可能挑战并改变既定结构的可能性。
tags:
- capitalism-critique
- economy
- labor
- society
- structural-domination
title: 《鱿鱼游戏》的哲学解析：资本主义是阶级翻转的契机还是人性的泯灭？
---
### 《鱿鱼游戏》：一场关于生存的残酷考验

《鱿鱼游戏》第三季迎来了黑暗的结局，在全球观众中引发了热烈讨论。
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<p class="english-text">The third season of "Squid Game" ushered in a dark finale<br>It sparks heated discussions among global audiences</p>
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今天，超级歪将带你深入解析《鱿鱼游戏》系列。
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<p class="english-text">Today is super crooked and you are about to enter<br>Analysis of the series of "Squid Game"</p>
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《鱿鱼游戏》的故事起源于一个生活艰难的男主角奇勋。
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<p class="english-text">The story of "Squid Game" originated from a male protagonist Ki-hoon who lived a difficult life</p>
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他长期依赖母亲的收入维持生计，甚至用母亲的钱赌马。
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<p class="english-text">Long-term dependence on the mother's breadwinner<br>Use your mother's money to gamble on horse racing</p>
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在主角赢得一笔钱后，他立即被一个催债团伙追赶。
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<p class="english-text">After the protagonist wins a sum of money, he is immediately chased by a debt collection group</p>
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在绝望的时刻，主角受邀参加“鱿鱼游戏”。
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<p class="english-text">In a moment of despair<br>The main character is invited to participate in "Squid Game"</p>
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“先生，您只需玩几天就能赚大钱，想试试吗？”
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<p class="english-text">Sir, you can make a lot of money just by playing for a few days<br>Would you like to give it a try?</p>
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到达游戏场地后，共有456人参赛。
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<p class="english-text">Arrive at the game site<br>A total of 456 people competed</p>
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这些人背景看似迥异，但实际上，他们都是负债累累或生存困难的人。
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<p class="english-text">These people seem to have very different backgrounds<br>But in fact, they are all people who are in debt or have difficulty surviving</p>
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他们都希望通过这场游戏来翻身。
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<p class="english-text">I hope to turn around through this game</p>
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例如，107号金美玉欠款5.4亿韩元，118号吴英旭欠款11.2亿韩元，322号郑民泰欠款8.8亿韩元。
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<p class="english-text">No. 107, Kim Mi-ok owes 540 million won<br>No. 118, Oh Young-wook Debt of 1.12 billion won<br>No. 322, Jung Min-tae owed 880 million won</p>
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### 资本主义下的“负债人”：道德与生存的困境

通过展现这些玩家的共同困境，《鱿鱼游戏》突显了韩国社会严重的债务问题。
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<p class="english-text">By playing the common dilemmas of these players<br>"Squid Game" highlights the debt problems in South Korean society</p>
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2025年，韩国的家庭债务占GDP的比例高达92%，位居世界第二。
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<p class="english-text">In 2025<br>South Korea ranks second in the world in household debt<br>Up to 92% of GDP</p>
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许多年轻人甚至无法通过工作偿还贷款，导致年轻人自杀率居高不下。
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<p class="english-text">Many young people cannot even repay loans from their jobs<br>High suicide rates among young people</p>
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台湾的家庭债务与GDP之比也仅次于韩国，许多台湾家庭为了购房不得不支付巨额抵押贷款。
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<p class="english-text">Taiwan's household debt-to-GDP ratio is second only to South Korea<br>Many Taiwanese families have to pay a large mortgage to buy a house</p>
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债务问题已成为当今资本主义社会的普遍现象。
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<p class="english-text">The debt problem has become a common phenomenon in capitalism today</p>
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哲学家**毛里齐奥·拉扎拉托**（Maurizio Lazzarato: 意大利社会学家和哲学家，研究后福特主义和债务社会）指出，自20世纪80年代以来，资本主义已转向**金融化**（Financialization: 经济活动日益依赖金融市场而非实体生产的趋势）。
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<p class="english-text">The philosopher Maurizio Lazzarato pointed out<br>Since the 1980s<br>Capitalism has shifted to financialization</p>
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市场不再仅仅生产商品，系统也通过制造“**负债人**”（Indebted Man: 指在金融化资本主义下，通过各种贷款和信用机制被系统性地置于债务关系中的个体）来维持。
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<p class="english-text">The market is no longer just about producing goods<br>The system is also maintained by producing "indebted man"</p>
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这使得人们申请信用卡、汽车贷款、抵押贷款和投资贷款，让低收入者也能维持高消费、购买汽车和房屋。
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<p class="english-text">Let people apply for credit cards, car loans, mortgages, loan investments<br>Allow low-wage people to maintain high consumption, buy cars and houses</p>
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一旦负债，你就有了偿还债务的道德责任。
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<p class="english-text">Once you owe debts<br>You have a moral responsibility to pay your debts</p>
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你必须努力赚钱还债以信守承诺。
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<p class="english-text">You must work hard to make money and pay off debts to keep your promises</p>
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无法偿还债务的债务人，不仅是财务上的失败，更是道德上的失败。
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<p class="english-text">Debtors who can't pay back<br>It's not just about financial failure<br>It is a moral failure</p>
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在德语中，“**债务**”（Schulden）和“**罪恶**”（Schuld）具有相同的词源。
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<p class="english-text">Debt (Schulden) and guilt (Schuld) have the same etymology in German</p>
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这种道德约束使人们感到必须使自己成为有价值、有生产力的人。
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<p class="english-text">This moral discipline makes people feel that they must make themselves valuable and productive people</p>
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这让资本主义得以控制人们未来的生活计划。
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<p class="english-text">This allows capitalism to control people's future life plans</p>
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例如，美国大学故意设计难以支付的高昂学费，让学生在进入职场前就背负大量债务。
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<p class="english-text">For example, American universities deliberately design high tuition fees that are difficult to pay<br>Let students owe a lot of debt before they enter the workplace</p>
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这样，当他们步入社会时，为了还债，他们会自愿成为“奴隶”，接受低薪工作。
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<p class="english-text">So that they go out of society<br>In order to pay off debts, they will volunteer to become slaves and accept low-paying jobs</p>
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在《鱿鱼游戏》中，我们也看到许多人因为成为债务人，不得不参加这场搏命游戏。
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<p class="english-text">And in "Squid Game"<br>We also see that many people become debtors<br>I had to participate in this fighting game</p>
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“现在我再给你们一次选择的机会，你们是想回去过着被债主追讨的垃圾生活，还是抓住我们给你们的最后一次机会？”
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<summary>View/Hide Original English</summary>
<p class="english-text">Now I give you another chance to choose<br>You will go back and live the rest of your life like garbage being collected by creditors<br>Or should we seize the last chance we are given?</p>
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### “自愿”的选择？结构性支配的真相

如果这些玩家负债累累，别无选择只能同意加入游戏，那么这种自愿同意真的是自愿的吗？
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<p class="english-text">If these players are in debt<br>I have no choice but to agree to join the game<br>Is this voluntary consent really voluntary?</p>
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这个问题反映了资本主义的另一个特征。
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<p class="english-text">This question reflects another characteristic of capitalism</p>
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资本主义的拥护者认为，资本主义不同于奴隶制，因为工人可以自由地与资本家签订合同，没有人会强迫你。
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<p class="english-text">Proponents of capitalism believe that capitalism is different from slavery<br>Because workers are free to contract with capitalists<br>No one will force you</p>
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工人也可以自由离职，不像奴隶那样受到武力威胁。
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<p class="english-text">Workers are also free to leave their jobs<br>Unlike slaves, who are threatened by force</p>
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我们看到许多人高喊要离开，在多数票通过后，主办方也确实让所有人离开了。
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<p class="english-text">We see many people shouting to leave<br>After the majority of the votes, the owner really let everyone leave</p>
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这种运作模式正是资本家所承诺的。
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<p class="english-text">This mode of operation is exactly what the capitalists promise</p>
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这种机制看似自由民主，每个人都可以自愿离开。
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<p class="english-text">This mechanism appears to be liberal and democratic<br>Everyone can leave voluntarily</p>
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但当玩家回到现实后，我们看到人们开始收到催债通知。
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<p class="english-text">But after the player returns to reality<br>We have seen people start receiving debt repayment notices</p>
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主角的母亲因重病需要医疗费用，农民工被公司拖欠工资，有些人还被催债团伙围堵。
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<summary>View/Hide Original English</summary>
<p class="english-text">The main character's mother needs medical expenses due to a serious illness<br>Migrant workers are owed wages by companies<br>Some people are also surrounded by debt collection groups</p>
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每个人都在为生存挣扎，最终不得不“自愿”回到《鱿鱼游戏》。
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<p class="english-text">Everyone strives to survive<br>Finally, I had to voluntarily return to Squid Game</p>
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在这里，我们看到了哲学家**亚历克斯·古列维奇**（Alex Gourevitch: 政治理论家，研究自由主义和劳工政治）所称的“**结构性支配**”（Structural Domination: 指社会结构而非个人意志或暴力，导致某些群体或个人被迫服从的权力关系）。
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<p class="english-text">Here<br>We see what the philosopher Alex Gourevitch calls structural domination</p>
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在资本主义社会中，人们看似拥有契约自由，可以决定是否加入一家企业。
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<p class="english-text">In a capital society<br>People seem to have freedom of contract<br>You can decide whether to join a business or not</p>
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但这种自由根本不是真正的自由，因为资本掌握在少数人手中。
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<p class="english-text">But this freedom is not real freedom at all<br>Because capital is in the hands of a few</p>
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工人必须依赖雇主提供的工作机会才能生存。
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<p class="english-text">Workers must rely on job opportunities provided by their employers to survive</p>
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这种结构性支配迫使工人同意为企业工作。
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<p class="english-text">This kind of structural domination<br>Force workers to agree to work for the enterprise</p>
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如果社会上存在一些替代工作的方式，例如政府取消债务或实行全民基本收入，这些玩家就不会负债，基本生存就能得到保障，根本无需加入《鱿鱼游戏》。
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<summary>View/Hide Original English</summary>
<p class="english-text">If there are some alternatives to work in society<br>For example, the government cancels debt<br>Or universal basic income<br>These players will not be in debt<br>Basic survival can be maintained<br>No need to join Squid Game at all</p>
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正是因为资本主义社会的结构性支配，才制造了一群穷人，使被迫服从看起来像是自愿的。
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<p class="english-text">It is because the structural domination of capital society has created a group of poor people<br>People will join the game<br>Make forced obedience seem voluntary</p>
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这让玩家们首先回到了现实。
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<p class="english-text">This brings players back to reality first</p>
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整个故事揭示了一个更重要的道德困境。
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<p class="english-text">The whole story reveals a more important moral</p>
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“反正出去也是活在地狱里，他妈的，反正我无家可归，我在这里至少还有希望，如果我出去，我什么都没有。”
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<p class="english-text">If you go out anyway, you'll live in hell, damn it<br>I'm homeless anyway<br>I have at least hope here<br>If I go out, I have nothing</p>
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现实世界中的资本主义实际上是更可怕的“鱿鱼游戏”。
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<p class="english-text">Real-world capitalism is actually the scarier Squid Game</p>
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回到游戏反而能获得更好的翻身机会。
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<p class="english-text">Coming back to the game gives you a better chance of turning over</p>
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“所有参与者在这场游戏中都是平等的，参与者将在相同的条件下公平竞争，我们才是遭受外界不平等待遇和歧视的人，这是赢得公平竞争的最后机会。”
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<summary>View/Hide Original English</summary>
<p class="english-text">All participants are equal in this game<br>Participants will compete fairly on the same terms<br>We are the ones who suffer unequal treatment and discrimination from the outside world<br>Last chance to win fair competition</p>
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主办方在这里所说的话，实际上正是资本主义最初的承诺：通过公平市场竞争，最有能力的人理应获得最高的报酬。
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<p class="english-text">What the master said here<br>This is actually the promise of capitalism from the beginning<br>Compete through a fair market<br>The most capable deserve the most compensation</p>
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但如今，这样的神话早已破灭，穷人无论如何努力都无法翻身。
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<summary>View/Hide Original English</summary>
<p class="english-text">But such myths are long shattered today<br>No matter how hard the poor try, they can't turn over</p>
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### 劳动游戏化：资本主义的隐形控制

然而，在《鱿鱼游戏》中，我们看到主角一路过关斩将。
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<p class="english-text">Instead, it's Squid Game<br>We see the protagonist break through all the way</p>
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随着游戏的深入，奖金也越积越高。
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<p class="english-text">As you play the game, you get deeper<br>The higher the bonus, the higher it accumulates</p>
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那些原本不愿参与的玩家，竟然开始为游戏的合法性辩护。
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<summary>View/Hide Original English</summary>
<p class="english-text">Players who were unwilling to participate<br>He actually started defending the legitimacy of the game</p>
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这指向了资本主义的一个关键问题：为什么许多工人自愿参与资本主义的游戏，甚至乐在其中？
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<p class="english-text">This points to a key problem with capitalism<br>Why do many workers voluntarily participate in the game of capitalism?<br>Still enjoying it?</p>
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《鱿鱼游戏》为我们提供了一个答案。
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<p class="english-text">Squid Game provides us with an answer</p>
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因为当资本主义将工作变成一场游戏竞赛时，你就不会觉得自己被奴役了。
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<summary>View/Hide Original English</summary>
<p class="english-text">Because when capitalism turns work into a game competition<br>You won't feel like you're being enslaved</p>
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社会学家**迈克尔·布洛维**（Michael Burawoy: 英国社会学家，提出“制造同意”理论，研究工作场所的政治经济学）发现，许多公司利用竞赛和奖励，让员工玩“冲刺游戏”，将工作过程**游戏化**（Gamification: 将游戏设计元素和游戏原则应用于非游戏场景，以激励参与和解决问题）。
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<p class="english-text">Sociologist Michael Burawoy found it<br>Many companies use competitions and rewards<br>Let employees play rush games<br>Gamify the work process</p>
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看看谁表现更好，这能激发员工的斗志，让他们在工作中不感到无聊。
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<summary>View/Hide Original English</summary>
<p class="english-text">See who performs better<br>This can stimulate the fighting spirit of employees<br>Let employees not get bored at work</p>
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只要上级奖励表现好的员工，员工就会获得心理上的满足感，觉得自己赢得了游戏。
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<summary>View/Hide Original English</summary>
<p class="english-text">As long as superiors reward employees with good performance<br>Employees will get a sense of psychological satisfaction<br>Feel like you won the game</p>
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不愿工作的工人也会变得自愿服从，乐意继续玩下去。
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<summary>View/Hide Original English</summary>
<p class="english-text">Workers who are unwilling to work<br>It will become voluntary obedience<br>Be willing to keep playing</p>
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因为一个人不可能同时玩游戏，却又质疑游戏的规则。
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<summary>View/Hide Original English</summary>
<p class="english-text">Because one cannot play a game at the same time<br>But he also questioned the rules of the game</p>
</details>
尽管许多人一开始是被迫加入公司，但随着游戏的深入，人们会慢慢认同游戏的规则。
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<p class="english-text">Although many people had to join a company at first<br>But as the game gets deeper,<br>People will slowly agree with the rules of the game</p>
</details>
他们甚至会告诉别人遵守已经同意的游戏规则，指责别人作弊。
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<p class="english-text">They will even tell others to follow the rules of the game that were agreed upon<br>Accusing others of cheating</p>
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“那些人拿了两次，我看到了！”
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<summary>View/Hide Original English</summary>
<p class="english-text">Those people took it twice<br>I saw it</p>
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他们忘记了自己根本没有同意这场游戏。
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<p class="english-text">I forgot that I didn't agree with the game at all</p>
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那些想逃离游戏的人，甚至可能被视为有问题的人。
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<p class="english-text">People who want to escape from the game<br>They may even be seen as problematic people</p>
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“你真的有信心回到那种生活吗？如果你有办法，就立刻站起来，出去吧！”
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<summary>View/Hide Original English</summary>
<p class="english-text">Do you really have the confidence to go back to that kind of life?<br>If you have a way, stand up immediately<br>Get up and go outside</p>
</details>
迈克尔·布洛维认为，劳动游戏化还有一个对雇主有利的后果：它可以让工人相互竞争，制造冲突。
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<summary>View/Hide Original English</summary>
<p class="english-text">Michael Burawoy認為<br>Gamification of labour has another consequence that benefits employers<br>It can allow workers to compete with each other and create conflict</p>
</details>
“这太荒谬了，那你骗我，拿走我的弹珠就像说谎一样吗？”
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<summary>View/Hide Original English</summary>
<p class="english-text">This is ridiculous<br>Then you deceive me<br>Is taking my marbles like words?</p>
</details>
《鱿鱼游戏》从一开始就被设计成一场**零和游戏**（Zero-sum game: 指一方的收益必然意味着另一方的损失，总和为零）。
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<summary>View/Hide Original English</summary>
<p class="english-text">Squid Game was designed to be a zero-sum game from the beginning</p>
</details>
我一个人赢得越多，就意味着其他人赢得越少。
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<summary>View/Hide Original English</summary>
<p class="english-text">The more I win alone<br>It means that others win less</p>
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仿佛工人的个人利益会损害工人的集体利益。
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<summary>View/Hide Original English</summary>
<p class="english-text">As if it were the personal interest of the worker<br>It will be detrimental to the collective interests of workers</p>
</details>
组织者甚至可能阻挠这种集体行动，挑拨内讧。
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<summary>View/Hide Original English</summary>
<p class="english-text">The organizers may even obstruct this<br>Provoking infighting</p>
</details>
他们故意提供少量食物，引发争端，在下一场游戏开始前淘汰掉弱者。
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<summary>View/Hide Original English</summary>
<p class="english-text">They deliberately give little food, causing disputes<br>Before the next game starts, get rid of the weaker ones</p>
</details>
这都是游戏的一部分。
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<summary>View/Hide Original English</summary>
<p class="english-text">It's part of the game</p>
</details>
《鱿鱼游戏》的投票过程也被故意设计成公开而非秘密投票。
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<summary>View/Hide Original English</summary>
<p class="english-text">There is also the voting process for Squid Game<br>Deliberately designed to be open<br>Instead of a secret ballot</p>
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这可以制造双方的对立。
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<summary>View/Hide Original English</summary>
<p class="english-text">This can create an opposition between the two parties</p>
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在第二季中，男主角回到游戏后发现主办方改变了游戏规则，导致主角的说法不被他人信任。
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<summary>View/Hide Original English</summary>
<p class="english-text">In the second season<br>After the male protagonist returns to the game<br>Found that the owner changed the game<br>Causes the protagonist's statement to be not trusted by others</p>
</details>
“你看起来很懂，大家都相信你的鬼话，我们现在该怎么办？你负责吗？”
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<summary>View/Hide Original English</summary>
<p class="english-text">You look like you know very well<br>Everyone believes your nonsense, what should we do now?<br>Are you responsible?</p>
</details>
每当看到有人违反游戏规则受到惩罚时，就会产生一种胜利感。
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<summary>View/Hide Original English</summary>
<p class="english-text">Whenever you see someone breaking the rules of the game, you are punished<br>There will be a sense of victory</p>
</details>
这使得人们没有意识到他们属于同一个阶级。
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<summary>View/Hide Original English</summary>
<p class="english-text">So that people don't realize it<br>They belong to the same class</p>
</details>
每个人都是因为债务阶级才进入游戏的。
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<summary>View/Hide Original English</summary>
<p class="english-text">Everyone gets into the game because of the debtor class</p>
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游戏模糊了真实的社会关系，让人觉得自己扮演着不同的角色。
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<summary>View/Hide Original English</summary>
<p class="english-text">Games obscure real social relationships<br>Make people feel like they're playing a different role</p>
</details>
失去阶级意识的玩家相互争斗，将对方视为敌人。
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<summary>View/Hide Original English</summary>
<p class="english-text">Players who have lost their sense of class<br>Fight each other<br>Treat the other person as an enemy</p>
</details>
甚至自己的青梅竹马、情妇、亲生骨肉，都可以成为敌人。
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<summary>View/Hide Original English</summary>
<p class="english-text">Even my own childhood sweetheart<br>mistress<br>Biological flesh and blood<br>They can all become enemies</p>
</details>
“你在做什么？”“你觉得呢？玩游戏。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">What are you doing?<br>What do you think?<br>Play games</p>
</details>

### 现实中的“鱿鱼游戏”：无处不在的控制与竞争

这种游戏化的资本主义早已成为我们的现实。
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<p class="english-text">This gamified capitalism<br>It has long been our reality</p>
</details>
如今，许多大公司都利用游戏化来管理员工。
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<summary>View/Hide Original English</summary>
<p class="english-text">Many large companies today use gamification to manage their employees</p>
</details>
例如，**亚马逊**（Amazon: 跨国科技巨头，以电商、云计算、人工智能等业务闻名）会给送货员设定限时评分，你必须与同事竞争，看谁送货更快。
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<summary>View/Hide Original English</summary>
<p class="english-text">For example, Amazon will score delivery people for a limited time<br>You have to compete with your colleagues to see who ships faster</p>
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**优步**（Uber: 跨国网约车公司）通过任务奖励来诱导司机增加接单次数。
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<summary>View/Hide Original English</summary>
<p class="english-text">Uber rewards you through tasks<br>To induce the driver to drive more times</p>
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**巴克莱银行**（Barclays Bank: 英国跨国银行和金融服务公司）使用计算机监控系统，时刻监控员工，防止他们偷懒。
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<summary>View/Hide Original English</summary>
<p class="english-text">Barclays Bank uses a computerized monitoring system<br>Monitor employees at all times to prevent them from being lazy</p>
</details>
就像《鱿鱼游戏》中的“123木头人”一样，员工每次通过检测系统都会被检查。
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<summary>View/Hide Original English</summary>
<p class="english-text">Like 123 wooden men in Squid Game<br>Employees are checked by the detection system every time they have passed</p>
</details>
那些被检测系统抓住的人将受到惩罚。
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<summary>View/Hide Original English</summary>
<p class="english-text">Those caught by the detection system will be punished</p>
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这些游戏化设计声称能提高资本主义的效率。
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<p class="english-text">These gamified designs claim to make capitalism more efficient</p>
</details>
但游戏设计师**阿德里安·洪**（Adrian Hon: 英国游戏设计师和作家，专注于游戏化和叙事设计）发现，实验结果喜忧参半。
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<p class="english-text">But game designer Adrian Hon found out<br>The results of the experiment were mixed</p>
</details>
许多员工并不觉得工作有趣，反而觉得被迫多做一件事更麻烦，觉得自己被老板当成了小白鼠实验，甚至更讨厌工作。
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<summary>View/Hide Original English</summary>
<p class="english-text">Many employees don't find their work fun<br>On the contrary, I feel that being forced to do one more thing is more troublesome<br>I feel like my boss is treating me like a guinea pig experiment<br>I hate work even more</p>
</details>

### 游戏的本质：贪婪、欲望与景观社会

这引出了《鱿鱼游戏》的本质问题：设计这些游戏的目的是什么？
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<p class="english-text">This brings us to the essential question of Squid Game<br>What was the purpose of designing these games?</p>
</details>
从西装男、负责人和创始人身上，我们找到了不同的答案。
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<summary>View/Hide Original English</summary>
<p class="english-text">On the man in the suit, the person in charge, and the founder<br>We found different answers</p>
</details>
在第二季开头，我们看到西装男在公园里给穷人提供刮刮卡和面包。
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<p class="english-text">At the beginning of the second season<br>We see the man in the suit in the park<br>Scratch and bread for the poor</p>
</details>
他发现大多数人选择刮刮卡，只有一个人选择面包。
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<summary>View/Hide Original English</summary>
<p class="english-text">I found that most people choose scratch cards<br>And only one person chooses bread</p>
</details>
“我给了你机会，那是你的选择，我没有输掉这些面包，是你输掉了。”
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<summary>View/Hide Original English</summary>
<p class="english-text">I gave you a chance, and it was your choice<br>I didn't lose these breads<br>You lost it</p>
</details>
这个实验似乎反映了人性的贪婪。
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<summary>View/Hide Original English</summary>
<p class="english-text">This experiment seems to reflect the greed of human nature</p>
</details>
但真正突显的是资本主义的意识形态，仿佛一个人的处境完全取决于他自己的自由意志，而与环境中的系统性问题无关。
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<p class="english-text">But what really stands out is the ideology of capitalism<br>As if a person's situation is like this<br>It all depends on one's free will<br>Regardless of the systemic problems in my environment</p>
</details>
文化评论家**马克·费舍尔**（Mark Fisher: 英国文化理论家、评论家，以批判资本主义现实主义闻名）称之为“**魔法自愿主义**”（Magical Voluntarism: 一种认为个人可以通过纯粹的意志力或心态改变自身处境，而忽视结构性社会问题的观念）。
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<p class="english-text">Cultural critic Mark Fisher called this magical voluntarism.</p>
</details>
如果一个人在职场感到沮丧和不快乐，那是因为他看待事物的方式有问题，改变观念就好了，而不是因为社会系统有问题。
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<p class="english-text">If a person feels depressed and unhappy in the workplace<br>That is the person who has a problem with the perspective of things<br>Change your perception is fine<br>It is not because there is something wrong with the social system</p>
</details>
如果一个人选择刮刮卡却没有中奖，最终饿死，这也是个人问题，谁让他那么贪婪呢？
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<summary>View/Hide Original English</summary>
<p class="english-text">If a person chooses a scratch card and does not succeed in winning the prize, he will starve himself<br>This is also a matter of individuality<br>Who told you to be so greedy?</p>
</details>
这种魔法自愿主义将责任归咎于个人，混淆了“自发的人性”与“被环境扭曲的人性”。
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<summary>View/Hide Original English</summary>
<p class="english-text">This magical voluntarism places the blame on the individual<br>Confusing "spontaneous humanity" with "humanity distorted by circumstances"</p>
</details>
许多《鱿鱼游戏》参赛者之所以继续玩下去，是因为他们必须偿还债务，而不是因为个人过于贪婪。
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<p class="english-text">The reason why many Squid Game contestants keep playing<br>It is because you have to pay off your debts<br>It's not because individuals are too greedy</p>
</details>
这证明了资本主义系统过于贪婪，人们为了还债而丧命，以生命为代价。
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<summary>View/Hide Original English</summary>
<p class="english-text">It proves that the capitalist system is too greedy<br>People are being killed to pay their debts<br>Take your life as a price</p>
</details>
在游戏负责人身上，我们看到了**拉康**（Lacan: 法国精神分析学家、哲学家，发展了弗洛伊德的精神分析理论）的欲望理论。
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<summary>View/Hide Original English</summary>
<p class="english-text">And in the person in charge of the game<br>We see Lacan's theory of desire on his desk</p>
</details>
这使得游戏的本质转向了欲望的问题。
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<summary>View/Hide Original English</summary>
<p class="english-text">This turns the essence of the game to the question of desire</p>
</details>
拉康心理学认为，每个人都生而进入一个名为“**大他者**”（Great Other: 拉康精神分析中的概念，指社会、语言、文化和法律规则的象征秩序，个体必须通过它来构建自我和欲望）的游戏。
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<summary>View/Hide Original English</summary>
<p class="english-text">Lagan Psychology believes<br>Everyone is born into a game<br>A game called the Great Other<br>It is the linguistic, social, cultural, and legal rules that were established before I was born</p>
</details>
如果一个人想要表达自己的欲望，就必须参与这个游戏。
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<summary>View/Hide Original English</summary>
<p class="english-text">If a person wants to express his desires<br>You must participate in this game</p>
</details>
但一旦接受了游戏规则，人们就会觉得自己的欲望被扭曲了，因为这个游戏根本不是为我设计的。
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<p class="english-text">But once the rules of the game are accepted<br>People will feel that their desires have been distorted<br>Because this game was not designed for me at all</p>
</details>
这种存在的异化感是人类欲望的根本处境。
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<summary>View/Hide Original English</summary>
<p class="english-text">This sense of alienation of existence is the fundamental situation of human desire</p>
</details>
这就像你遇到一个强盗，你必须决定是要钱还是要命。
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<summary>View/Hide Original English</summary>
<p class="english-text">It's like when you meet a bandit<br>You have to decide whether you want money or your life</p>
</details>
这看似是一个两难选择，但实际上只有一个选择，因为无论你如何选择，你都会失去金钱。
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<summary>View/Hide Original English</summary>
<p class="english-text">This may seem like a dilemma<br>But there is only one choice<br>Because no matter how you choose<br>You will lose money</p>
</details>
在《鱿鱼游戏》中，每场游戏结束后也会出现这种困境。
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<summary>View/Hide Original English</summary>
<p class="english-text">In the squid game<br>This dilemma also arises after each game</p>
</details>
玩家必须再次决定，是要钱还是要死。
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<summary>View/Hide Original English</summary>
<p class="english-text">The player has to decide again<br>If you want money, you still want to die</p>
</details>
玩家看似有选择，但根本没有。
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<summary>View/Hide Original English</summary>
<p class="english-text">Players seem to have a choice<br>Not at all</p>
</details>
因为当你选择金钱，如果继续玩下去，你就会死去，无法实现你的欲望。
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<summary>View/Hide Original English</summary>
<p class="english-text">Because when you choose money<br>If you keep playing, you will die<br>You will not be able to realize your desires</p>
</details>
但如果你选择活着离开，没有钱也无法满足自己的欲望。
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<summary>View/Hide Original English</summary>
<p class="english-text">But if you choose to leave alive<br>No money can satisfy one's desires</p>
</details>
这突显了资本主义社会中人们的根本处境：人们似乎只能为了赚钱而不断异化自己，以顺应游戏。
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<summary>View/Hide Original English</summary>
<p class="english-text">This highlights the fundamental situation of people in the capital society<br>It seems that people can only constantly alienate themselves in order to make money to follow the game</p>
</details>
但钱赚得越多，就越与最初的欲望疏远。
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<summary>View/Hide Original English</summary>
<p class="english-text">But the more money you make, the more money you make<br>The more you become alienated from your original desires</p>
</details>
越富有的人，越不知道自己想要什么。
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<summary>View/Hide Original English</summary>
<p class="english-text">The richer the person, the less they know what they want</p>
</details>
这正是创始人设计《鱿鱼游戏》的初衷。
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<summary>View/Hide Original English</summary>
<p class="english-text">And this is exactly the original intention of the founder to design Squid Game</p>
</details>
“如果你有很多钱，无论你买什么或用什么来满足欲望，最终都会变得无聊。这就是为什么我们都聚在一起，我想了很多，到底该怎么做才能有点乐趣？”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">If you have a lot of money<br>No matter what you buy or use to satisfy your desires<br>Eventually, it becomes boring<br>That's why we are all together<br>I thought about it a lot<br>What exactly should be done?<br>Only then can we have a little fun</p>
</details>
“乐趣？你们是为了乐趣才这么做的？”
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<summary>View/Hide Original English</summary>
<p class="english-text">The fun?<br>You are for fun<br>Let's do that?</p>
</details>
在这里，我们听到了创始人的自白。
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<summary>View/Hide Original English</summary>
<p class="english-text">Here we hear the confession of the founder</p>
</details>
所以，整个《鱿鱼游戏》不过是富有的客户花钱享受的娱乐消遣。
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<summary>View/Hide Original English</summary>
<p class="english-text">So it's a whole squid game<br>It is nothing more than an entertainment pastime enjoyed by wealthy customers who spend money on</p>
</details>
当资本主义达到这个新阶段时，它不再是为了消费而生产商品。
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<summary>View/Hide Original English</summary>
<p class="english-text">When capitalism reaches this new stage<br>It is no longer about producing goods for consumption</p>
</details>
因为对于富人来说，仅仅商品已无法满足欲望。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Because for the rich<br>Only goods can no longer satisfy desires</p>
</details>
相反，它转向了哲学家**居伊·德波**（Guy Debord: 法国马克思主义理论家、电影制作人，情境主义国际的创始人）所称的“**景观社会**”（Spectacle Society: 指现代社会中，商品、图像和媒体通过制造虚假的需求和体验，取代真实生活和人际关系的现象）。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Instead, we turned to what the philosopher Guy Debord called a "landscape society."</p>
</details>
资本主义生产了一堆景观来包围我们的生活空间：快闪活动、真人秀、励志图片，甚至《鱿鱼游戏》本身的外围也是一种景观。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Capitalism produces a bunch of landscapes<br>To surround our living spaces<br>Pop-up Events<br>Reality Show<br>Inspiring pictures<br>Even the perimeter of Squid Game itself is a kind of landscape</p>
</details>
甚至**多邻国**（Duolingo: 一款语言学习应用程序）也利用《鱿鱼游戏》作为噱头。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Even Duolinguo uses Squid Game as a gimmick</p>
</details>
这些都是赚取点击流量的景观，是当代资本主义运作的关键。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">These are landscapes that earn click-through traffic<br>It is the key to the operation of contemporary capitalism</p>
</details>
“说真的，虽然家里的屏幕很大，但无论屏幕多大，都不如亲眼所见。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">I'm serious, although the screen at home is big<br>But no matter how big the screen is, it is not as good as watching it with your own eyes</p>
</details>
富人将劳动者的苦难视为娱乐奇观。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The rich regard the suffering of laborers as a spectacle of entertainment</p>
</details>
这些玩游戏的人本身就是商品，他们出售的是生存斗争的景观。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">These people who play games are commodities in themselves<br>What is sold is the landscape of the struggle for survival</p>
</details>
“你喜欢赛马，对吧？你们就是马，赛马场上的马。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">You like horse racing, right?<br>You are horses<br>Horses at the racetrack</p>
</details>
在第一季末，负责人最终揭示，原来《鱿鱼游戏》的玩家根本不是主体。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">By the end of the first season<br>The person in charge finally revealed<br>It turns out that the players of Squid Game are not the main body at all</p>
</details>
游戏的真正主体是那些观察和下注的VIP会员。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The real body of the game<br>Be a VIP member who observes and places bets</p>
</details>
与其说人们在玩游戏，不如说他们被游戏玩弄。
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<summary>View/Hide Original English</summary>
<p class="english-text">It's not so much that people are playing games<br>It's better to say they're being played</p>
</details>
与舞台上玩家相互争斗的场景相比，观众席上的这些VIP们却相处愉快。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Compared to the scene of players fighting each other on stage<br>These VIPs in the audience get along happily</p>
</details>
正如当今资本主义被少数公司垄断一样，这些企业没有竞争对手，可以置身事外，站在远处看着员工相互争斗。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Just as capitalism is monopolized by a few corporations today<br>These businesses have no competitors<br>You can stay out of the situation<br>Stand at a distance and watch employees fight each other</p>
</details>
“哦，天哪，越来越精彩了！”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Oh my God, it's getting more and more exciting</p>
</details>
一方面，这让工人在更大的压力下竞争；另一方面，也让自己避免了竞争。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">On the one hand, it allows workers to compete under more pressure<br>On the other hand, allow yourself to avoid competition</p>
</details>
资本主义就是这样一场病态的游戏。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Capitalism is such a pathological game</p>
</details>
“等等，如果资本主义已经变成一场病态的游戏，我们为什么还要继续玩下去？”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Wait a minute<br>If capitalism has become a pathological game<br>Why do we keep playing?</p>
</details>
资本主义一方面向大众承诺，如果继续玩下去，就有机会翻身。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Capitalism promises the masses on the one hand<br>If you keep playing, you will have a chance to turn around</p>
</details>
但《鱿鱼游戏》揭示，根本没有双赢的局面。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">But Squid Game revealed<br>There is no win-win situation at all</p>
</details>
适者生存的竞争游戏，就是把人当狗马玩弄，把景观作为富人的娱乐。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Survival of the fittest competitive game<br>It is to play with people as dogs and horses<br>The landscape is used as entertainment by the rich</p>
</details>
这导致了人性的泯灭。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">It has resulted in a violation of human nature</p>
</details>
那么，我们该如何面对这场游戏呢？
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">So how should we face this game?</p>
</details>
“杀了我什么也改变不了，会有人取代我的位置，游戏明天还会继续。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Killing me won't change anything<br>Someone will take my place<br>The game will be held tomorrow</p>
</details>

### 挑战结构：个人反抗的困境与第三种可能

在这个主角有机会复仇的时刻，《鱿鱼游戏》揭示了社会学中的根本问题。
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<summary>View/Hide Original English</summary>
<p class="english-text">At this moment when the protagonist has a chance for revenge<br>Squid Game exposes fundamental problems in sociology</p>
</details>
即使执行结构（指社会中既定的规则、制度和权力关系）的个体死去，也会被其他个体取代，使结构继续运作。
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<summary>View/Hide Original English</summary>
<p class="english-text">Even if the individual who executes the structure dies<br>It will still be replaced by other individuals<br>Keep the structure working</p>
</details>
我们该如何改变这种结构呢？
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<summary>View/Hide Original English</summary>
<p class="english-text">How can we change the structure?</p>
</details>
日本文化评论家**宇野常宽**（Tsunehiro Uno: 日本评论家、文化研究者，以其对御宅族文化和后现代社会的研究闻名）发现，自20世纪90年代以来，一种新的“淘汰模式”开始席卷动漫和电影故事。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Japanese cultural critic Tsunehiro Uno discovered<br>Since the 1990s<br>There is a new Attack on Elimination mode that is starting to sweep anime and movie stories</p>
</details>
故事不再是与他人合作，共同打败大魔王，而是必须打败身边的人，参与一场**大逃杀**（Battle Royale: 一种生存游戏模式，玩家在限定区域内相互竞争，直到只剩一人或一队获胜）。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Stories are no longer about working with others<br>Defeat the Great Demon King together<br>Instead, you must defeat those around you<br>Participate in a battle royale</p>
</details>
在游戏中生存的目标是让自己活下去。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The goal of survival in a game is to keep yourself alive</p>
</details>
这种生存游戏反映了社会价值观的转变。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">This survivor game reflects a shift in societal values</p>
</details>
过去，通关模式是打败一个大魔王，这意味着社会有一个明确的目标和价值主张。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">In the past, the passing mode was to defeat a big demon king<br>It means that society has a clear goal and value proposition</p>
</details>
但大逃杀的世界里没有大魔王，而是所有人相互争斗。
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<summary>View/Hide Original English</summary>
<p class="english-text">But there is no great demon king in the world of battle royale<br>But all men fight against each other</p>
</details>
不再有明确的最终目标，游戏被设计成毫无意义。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">There is no longer a clear end goal<br>The game is designed to make no sense</p>
</details>
这反映出我们生活在一个不知道该做什么才对的世界里。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Reflects that we live in a world where we don't know what to do right</p>
</details>
人们为生存而挣扎不再具有内在意义，而仅仅是供人观看的娱乐。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">People's struggle for survival no longer has intrinsic meaning<br>It is merely entertainment for people to watch plays</p>
</details>
在《新世纪福音战士》（Evangelion）和《死亡笔记》（Death Note）中，我们看到了两种应对这种存在价值崩溃的方式。
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<summary>View/Hide Original English</summary>
<p class="english-text">In Evangelion and Death Note<br>We see two ways of responding to this collapse of the value of existence</p>
</details>
**碇真嗣**（Shinji Ikari: 《新世纪福音战士》主角）不想驾驶EVA，不想使用暴力或加入真实的游戏。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Shinji Ikari doesn't want to drive the EVA<br>I don't want to use violence or join the real game</p>
</details>
结果是表现得像个弱者，只会成为一个失败者。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The result is to act like a weakling<br>You will only become a loser</p>
</details>
**夜神月**（Light Yagami: 《死亡笔记》主角）认为现实需要改变，必须找到生存之道，必须参与杀戮游戏，目标是成为赢家，只有这样才能让自己的价值得到认可，成为新世界的神。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Light Yagami believes that reality needs to be changed<br>You have to find a way to live<br>Must participate in the game of killing<br>Aim to be a winner<br>Only then can you make your worth recognized<br>Become a god of the new world</p>
</details>
但《死亡笔记》的结果揭示，即使我们像夜神月那样去战斗，最终也无法创造一个新秩序并阻止大逃杀。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">But the results of Death Note are revealed<br>Even if we become people like Light Yagami to fight<br>In the end, it is impossible to create a new order and stop the battle royale</p>
</details>
夜神月死后的世界根本没有改变。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The world after Light Yagami's death has not changed at all</p>
</details>
这就是我们今天的现实。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">This is where our reality lies today</p>
</details>
像真嗣一样退缩，拒绝参与真实的游戏，无法阻止像夜神月这样的玩家。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Retreat like Shinji<br>Refuse to participate in the real game<br>It can't stop a player like Light Yagami</p>
</details>
但如果像夜神月一样战斗，让自己成为系统中的强者，也无法阻止这个大逃杀的世界。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">But if you fight like Light Yagami<br>Make yourself a strong man in the system<br>It can't stop this world of battle royale</p>
</details>
在这种困境中，《鱿鱼游戏》向我们展示了第三种可能性：通过参与游戏来阻止游戏。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">In this dilemma<br>Squid Game shows us a third possibility<br>Stop the game by participating in the game</p>
</details>
“让我回到游戏，你刚才不是叫我阻止游戏吗？如果我回到游戏，你们服务的那些富人一定会觉得很有趣。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Let me go back to the game<br>Didn't you ask me to stop the game a second ago?<br>If I go back to the game<br>The rich people you serve will definitely find it interesting</p>
</details>
作为第一季游戏的赢家，主角不仅没有带着奖金远走高飞，反而选择再次回到游戏。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">As the winner of the first season game<br>Not only did the protagonist not fly away with the prize money<br>Instead, I chose to return to the game again</p>
</details>
他私下组织了一支警察力量，试图从外部突袭。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Privately organize a police force<br>Attempting to raid from the outside</p>
</details>
尽管这个计划从一开始就被游戏截获，但主角仍然试图与其他玩家合作，策划武装行动。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Although this plan was intercepted by the game from the beginning<br>However, the protagonist still tries to cooperate with other players<br>Planning armed operations</p>
</details>
这并不是主角第一次策划反抗。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">This is not the first time the protagonist has planned a rebellion</p>
</details>
多年前，主角曾参加过一次罢工。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Years ago<br>The protagonist participated in a strike</p>
</details>
“我和我的同事当时一样，轮流上夜班守卫工厂，不知道警察什么时候会闯进来。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">My colleagues and I were the same then<br>Take turns on night shifts to guard the factory<br>I don't know when the police will break in</p>
</details>
导演**黄东赫**（Hwang Dong-hyuk: 韩国电影导演、编剧，以执导《鱿鱼游戏》闻名）曾透露这个背景故事。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Director Hwang Dong-hyuk once revealed this backstory</p>
</details>
2009年韩国**双龙汽车**（SsangYong Motors: 韩国汽车制造商）罢工事件中，公司因金融危机破产，宣布裁员37%的员工。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The 2009 SsangYong Motors strike in South Korea<br>The company went bankrupt due to the financial crisis<br>Announced layoffs of 37% of the workforce</p>
</details>
随后，员工发起了长达77天的占领行动。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The employees then launched a 77-day occupation campaign</p>
</details>
所以，主角在游戏中的反击，就像发起了一场罢工行动。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">So the protagonist's counterattack in the game<br>It's like launching a strike action</p>
</details>
但不同的是，这次主角熟悉游戏的运作。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">But the difference is<br>This time the protagonist is familiar with the operation of the game</p>
</details>
他知道晚上关灯时会发生内讧，也知道士兵何时会进来镇压。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Know that infighting will occur when the lights are turned off at night<br>Also know the moment when soldiers will come in to suppress</p>
</details>
因此，他能够等待时机进行伏击。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Therefore, it is possible to wait for an opportunity to lie in ambush</p>
</details>
“现在开始，我们要去蒙面人的总部，抓住绑架我们的人，结束游戏。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Start now<br>We are going to the headquarters of the masked man<br>Catch the person who kidnapped us<br>End the game</p>
</details>

### 打破幻觉：从内部改变游戏规则

主角熟悉游戏规则，能够轻松驾驭系统，知道如何抓住游戏的漏洞。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The protagonist is familiar with the rules of the game<br>Be able to navigate the system with ease<br>Know how to catch the flaws in the game</p>
</details>
这次武装革命因隐藏的赌注而失败，但这指出了社会学家**布迪厄**（Bourdieu: 法国社会学家、人类学家、哲学家，提出“惯习”、“场域”和“资本”等概念）所称的“**幻觉**”（illusio: 布迪厄概念，指人们对某种社会游戏或场域的投入和相信，认为其规则和 stakes 是真实的和重要的）。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">This armed revolution failed because of hidden stakes<br>But it points out what sociologist Bourdieu calls "illusio" (illusio)</p>
</details>
人类社会中的各种比赛和竞争，实际上都是人造的幻觉。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Various competitions and competitions in human society<br>In fact, they are all man-made illusions</p>
</details>
但最成功的玩家、最优秀的玩家，恰恰是那些陷入最深幻觉的人。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">But the most successful player, the most good player<br>It happens to be the one who falls into the deepest illusion</p>
</details>
那些想要改变游戏的人不能置身事外，相反，他们需要看清游戏的结构，从实践中理解如何玩这个游戏，从经验中内化游戏规则。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Those who want to change the game cannot stay out of it<br>Instead, we need to see the structure of the game<br>Understand how to play this game from practice<br>Internalize the rules of the game from experience</p>
</details>
想要改变社会的人不能独立于外，而恰恰身处幻觉之中。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">People who want to change society cannot be independent outside<br>And it happens to be in the illusion</p>
</details>
在电影《饥饿游戏》（The Hunger Games）中，我们看到能够改变游戏的人，恰恰是那些最深陷于游戏幻觉的玩家。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">In the movie "The Hunger Games."<br>We see people who can change the game<br>It just so happens to be the player who is most caught up in the illusion of the game</p>
</details>
“塞内卡，你觉得我们为什么要设计一个赢家？如果我们只是想恐吓各区的人民，为什么不随机选24个人一次性处决呢？”“希望，希望是唯一比恐惧更强大的东西。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Seneka, why do you think we design a winner?<br>If we just want to intimidate the people of the districts<br>Why not randomly select 24 people and execute them all at once?<br>Hope<br>Hope is the only thing more powerful than fear</p>
</details>
恰恰是因为主角知道组织者想要利用至少一名玩家拥有胜利的幻觉，想要制造一个人踩着另一个人的尸体获胜的奇观，所以她故意选择了同归于尽的策略，来挑战游戏的逻辑，在所有人面前揭露幻觉。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">It happens to be because the protagonist knows that the organizers want to take advantage of it<br>At least one player has the illusion of victory<br>Want to create a spectacle of one person stepping on another person's corpse to win<br>So I deliberately chose the strategy of dying together<br>To challenge the logic of the game<br>Reveal the illusion in front of everyone</p>
</details>
“这场游戏没有希望可言。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">There is no hope of witnessing this game</p>
</details>
结果是组织者不得不改变游戏规则。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The result was that the organisers had to change the rules of the game</p>
</details>
“暂停！女士们先生们，让我们宣布第七十四届饥饿游戏的获胜者！”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Pause!<br>Ladies and gentlemen<br>Let's announce the winner of the seventy-fourth edition of The Hunger Games</p>
</details>
而在《饥饿游戏：星火燎原》（The Hunger Games: Sparks）中，女主角也熟悉游戏中定期出现的导电效应，只需一击就能突破人造屏障，从游戏内部摧毁游戏的幻觉，让幻觉的终结揭示出一线光明。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">And in "The Hunger Games: Sparks."<br>The heroine is also familiar with the conductive effect that occurs regularly in games<br>Only one blow can break through the artificial barrier<br>Destroy the illusion of the game from the inside of the game<br>Let the end of the illusion reveal a glimmer of light</p>
</details>
同样，在《鱿鱼游戏》的最后一关，故事巧妙地安排了婴儿的元素，它象征着下一代必然参与现实的竞争游戏。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The same<br>At the final level of Squid Game<br>The story cleverly arranges the elements of the baby<br>It symbolizes the inevitable participation of the next generation in the competitive game of reality</p>
</details>
主角最终被迫面对一个非此即彼的选择，但不再是最初的金钱或死亡的代价，而是变成了：继续做被下注的马，让下一代像个体一样生活。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The protagonist is finally forced to face a choice between one or the other<br>But it is no longer the original cost of money or death<br>And became<br>Continue to be the horse that has been bet<br>Let the next generation live like individuals</p>
</details>
“我们不是马，我们是人，人性是……”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">We are not horses<br>We are human<br>Human nature is...</p>
</details>
如果玩家都是赛马，当马被玩死后，游戏就无法继续，这也从内部破坏了游戏的娱乐性。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">If the gamers are all horse racers<br>When the horses are played to death<br>The game won't go on<br>It also destroys the entertainment nature of the game from within</p>
</details>
主角的行动成为拒绝继续参与游戏的宣言。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The protagonist's actions become a declaration of refusal to continue participating in the game</p>
</details>
当援军从外部抵达竞技场时，整个游戏被终止。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">When reinforcements arrive at the arena from outside<br>The entire game was terminated</p>
</details>
“必须自毁。”
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">Must self-destruct</p>
</details>
游戏的支配不再传递给下一代。
<details>
<summary>View/Hide Original English</summary>
<p class="english-text">The domination of the game is no longer passed on to the next generation</p>
</details>
尽管主角最终成为一个失败者，但他却让下一代成为赢家，结束了一场病态的游戏。
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<summary>View/Hide Original English</summary>
<p class="english-text">Although the protagonist eventually becomes a loser<br>But it makes the next generation a winner<br>Ended a sick game</p>
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### 游戏的终结？对未来的思考

“等等，游戏真的有终结吗？”
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<p class="english-text">Etc<br>Is there really an end to the game?</p>
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