引言:明星发声的背景与争议
政治局势日益紧张,社会分歧似乎无处不在,名人也无法置身事外。
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Political tensions are high. Division seems to be everywhere and celebrities are no exception.
例如,在九月份,数千名演员和电影制作人签署了一封公开信,呼吁抵制以色列电影团体,以抗议在加沙的战争。
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For example, in September, thousands of actors and filmmakers signed an open letter calling for a boycott of Israeli film groups over the war in Gaza.
作为回应,另一批演员和电影制作人签署了一封公开信,拒绝抵制。
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In response, another group of actors and filmmakers signed an open letter rejecting the boycott.
那么,风险何在?当名人表达许多人认为具有分裂性的观点时,他们能得到什么?他们会失去什么?他们的观点真的能产生影响吗?
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So what's at stake? When celebrities express views many see as divisive? What can they gain? What can they lose? And do their views even actually make a difference anyway?
我采访了危机沟通策略师蒂姆·麦克劳克林(Tim McLaughlin)和自由作家兼文化评论家阿米尔·尼亚齐(Amil Niazi)。
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I asked Tim McLaughlin, a crisis communications strategist, and Amil Niazi, a freelance writer and cultural critic.
主持人:阿米尔,非常感谢您加入我们的节目。你最近怎么样?
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To Amil, thank you so much for joining us on the program. How are you doing?
阿米尔:很好,谢谢。
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Good, good. Thank you.
主持人:人们似乎很希望名人能够站出来发声,我想更好地理解这是为什么。为什么我们会期望名人发声?无论是在第一时间还是在事件发生的过程中,我们为什么会被他们吸引?
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There's an attraction with people in terms of wanting celebrities to speak out, and I want to get a better understanding of why. Why do we why do we look to celebrities to speak out whether it's first or when something is happening in the midst of it? Why do we why do we? Why are we drawn to them?
阿米尔:我认为随着文化的发展,我们与名人和网红之间建立了一种准社会关系(Parasocial Relationship: 一种单向的、类似于人际关系的心理连接)。我们生活在一个由网红主导的文化中,渴望与名人建立亲密和个人的联系。
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You know, I think as culture has evolved, we want we sort of have built this parasocial relationship with celebrities, influencers. You know, I think we really live in a very influencer-led culture right now where we have a desire for an intimacy and a connection and a very personal connection with our celebrities.
我们习惯于在Instagram上看到他们,在TikTok上直接与我们对话。不再有那种公关人员控制名人言论和反应的隔阂,你只能在媒体宣传中了解他们。
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You know, we're used to seeing them on Instagram, talking directly to us on TikTok. There's no longer that divide where, you know, a publicist controlled what a celebrity said and how they reacted, and you sort of only knew them on the press tour.
现在你可以24/7全天候地接触到他们,他们也希望你这样做,因为这有助于建立他们的品牌。
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Now you have access to them 24/7, and they want you to have that access because it it helps build their brand.
随之而来的是,人们希望他们能谈论当今的热点问题,因为如果他们不这样做,会显得很奇怪。
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But what comes along with that is a desire then, for them to speak about the pressing issues of the day, because it would be weird for them not to. Right.
问题是,这不是他们的专业领域,不一定是他们应该谈论的事情,他们与这些问题没有联系。
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The problem is that that's not their expertise. It is not really necessarily something that they should speak about. They don't have a connection to it.
因此,你会陷入一种尴尬的境地:如果他们说错了话,就会被妖魔化;如果他们说对了话,就必须保持某种标准。
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And so you're left in this awkward space where if they say the wrong thing, they're vilified. If they say the right thing, then now they are held to a certain standard that they have to maintain.
这让名人处于非常尴尬的境地。我认为你会看到越来越多的像詹妮弗·劳伦斯(Jennifer Lawrence)这样的情况出现,她们真的只想说:“我不想再谈论任何与我的专业无关的事情了。”
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So it puts celebrities in a very awkward position. And I think that you're going to see more and more sort of, you know, things like Jennifer Lawrence pop up where they really just want to say, I'm done speaking about anything that's not my craft.
主持人:好的。这就是你所做的。我想更好地理解,是否应该期望公众人物成为各个议题的专家?
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All right. Well, this is what you do. So I want a better understanding of should public figures be expected to be experts on topics on issues.
蒂姆·麦克劳克林:就像阿米尔所说的,他们不是这些领域的专家。所以我认为期望名人对每个问题、每个热点话题都有自己的看法,这对名人是不公平的。
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You know, to Amil's point, they're not experts in these subjects. So I think expecting celebrities to have opinions on every issue, every hot button topic that comes up, I just think that's, you know, unfair to the celebrities.
他们的专长是他们的技艺,无论是音乐、娱乐、艺术,无论是什么,那是他们的专长。因此,期望他们成为每个社会问题或政治方面的专家,这是一个不可能达到的标准。
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They are experts at their craft, whether it's music, entertainment, art, whatever it is, that's their expertise. So expecting them to be experts in each social issue or politics, it's just an impossible standard to live up to.
这也开创了一个先例:一旦你发声,你的粉丝和观众就会期望你对每一个话题都发表意见。
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And it also sets the precedent. Once you speak out, once you're then expected your fans and your audience is expecting you to chime in to every single conversation.
我认为公众人物在这个过程中也会失去他们的身份。如果没有倡导者的角色,他们是谁?
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So I think the the figure then sort of loses their identity as well in that process. Who are they without the advocacy role?
我经常认为,不参与这些对话对名人来说是最有利的。而且,他们这样做往往会冒更大的风险。
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You know, so I often think it's in the celebrities' best interest to not chime into conversations. And most often they have more to risk by doing so.
名人发声的压力来源
主持人:我很好奇,名人或网红所承受的压力来自哪里?是来自他们的粉丝,还是来自他们在社交媒体上看到的内容?比如“我需要参与到这个对话中”。
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I'm curious in terms of the pressure that celebrities or influencers might be getting, is it from their following? Is it what they're seeing on social like? I need to get into this conversation.
蒂姆·麦克劳克林:一旦你的同行做了某件事,你就会感到一定程度的压力,想要与他们保持一致。当然,你的观众和粉丝群,我们现在在网上互动非常频繁,这是一个双向的对话。
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Yeah. I mean, once you have, you know, your peer kind of do something, then, you know, you feel a certain degree of pressure to, to align with that. And certainly your, your audience and your fan base, you know, we're so engaged and interacted online. It's a two-way conversation now.
因此,你的粉丝群真的会说“我们期望你这样做”,名人会看到这一点,并且可能想要回应,以努力保持与粉丝群的联系。
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So your, your fan base really can say, we expect this of you and the celebrities are going to see that and, and have a, you know, perhaps want to respond to it in order to try and preserve the connection with that, that fan base.
主持人:好的。让我们来谈谈话题。人们很乐于公开谈论吉米·坎摩尔(Jimmy Kimmel)被停播的事情。
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All right. Let's talk about sort of topics. People are were quite comfortable speaking up on Jemmy Kimmel when he was taken off the air.
加拿大人和美国人会记得,在《周六夜现场》(SNL)节目中,迈克·迈尔斯(Mike Myers)解开衬衫,展示“加拿大不出售”的标语。
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Canadians and Americans will remember on SNL when, you know, Mike Myers opened his shirt and showed, you know, Canada is not for sale and elbows up.
但有些对话则比较棘手,比如加沙。为什么某些话题需要更加谨慎?
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But there are other conversations that are a bit trickier. Gaza. Why is it that certain topics require require refinement? Rightfully so.
当然,这是理所当然的,但为什么处理起来更棘手?
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But why are they trickier to handle?
阿米尔·尼亚齐:你只需要推断一下在工作中,甚至在朋友之间,在家里谈论加沙问题的舒适程度。
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Well, I mean, you can just extrapolate the comfort level of having a conversation about Gaza at work, sometimes even at home amongst your friends. Right?
每个人通常都有非常个人的联系。他们往往没有充分准备好谈论这个话题的背景。
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Everyone has a very often personal connection to it. They are often, you know, ill prepared to speak about the context of this conversation.
我认为人们通常对名人的看法有非常强烈的反应,无论是艾米·舒默(Amy Schumer)发表意见,还是汉娜·艾因宾德(Hannah Einbinder)在艾美奖上说“解放巴勒斯坦”,任何一方都会激怒那些关心这个问题的人。
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And I think that people often have a very visceral reaction to the celebrities take, you know, whether it's Amy Schumer coming out and, you know, her opinion or whether it's Hannah Einbinder at the Emmys saying, you know, go birds free, Palestine, either side is going to electrify the people who care about the issue, whether it's on this side or that side.
因此,如果这是一个在任何情况下都是热点问题,那么名人对此发表意见也肯定会成为一个热点问题。
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So if it's if it's a hot button issue, you know, in any circumstance, then of course the celebrities speaking out about it is going to be a hot button issue as well.
公众人物发声前的考量
主持人:为了揭开这层面纱,公众人物在发布或发表声明之前应该考虑什么?你是否与人进行过这样的对话:“好吧,让我们花点时间,深呼吸一下,我们是鼓励他们发布还是不发布?”
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To help peel the curtain back a little bit. What what should a public figure consider before they post or make a statement? Are these is there conversations that you have had with people to be like, okay, let's, let's let's take a moment here. Let's take a breath. What what do we encouraging them to post or not post.
蒂姆·麦克劳克林:当然。我认为关键在于提前进行积极的对话,因为客户通常是在被动状态下找到我。他们已经在网上发布了一些通常是情绪驱动的内容,现在我们必须清理烂摊子,因为这没有经过深思熟虑和周密计划,他们已经深陷其中。
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Yeah, absolutely. I think half the battle is having the conversation ahead of time proactively, because clients often come to me in a reactive state. They've posted something online that's usually emotionally driven. And now we have quite a mess to clean up because it wasn't thought out, it wasn't well-planned, and now they're in over their head.
因此,如果我们能退一步,这是第一个建议:退一步,从战略上考虑这个问题。
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So if we can take a step back, that's kind of the first piece of advice is take a step back. Let's think strategically about this.
我不是来告诉你应该或不应该这样做,而是要带你进行风险评估,然后你可以决定这是否值得。
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And look, I'm not here to tell you one way or the other if you should or you shouldn't do it. But what I'm going to bring you through is a risk assessment, and then you can decide if it's worth it from you, for you.
我们会了解情况,理解在这个问题上普遍的看法是什么?你是站在普遍的观点一边,还是会面临一场艰难的战斗?
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So we'll get a lay of the landscape. Understand. You know, what's the generally the popular opinion on this topic? Are you with the popular opinion or are we going to be fighting an uphill battle here?
如果你有更不受欢迎的观点,我们会看看你的受众。你会失去很大一部分粉丝吗?你的观众是否期望你这样做?他们是否关心?或者你应该保持沉默?
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If you have a more unpopular opinion, we're going to look at your audience. Are you going to lose a significant chunk of your fan base? Does your audience expect this of you? Do they even care? Or should you just stay in your lane and then are there financial repercussions?
这些名人有品牌合作,他们有合同。你的合同是否允许你安全地参与到这个对话中?你是否会因为这是一个有争议的话题而面临失去品牌合作的风险?
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You know, these celebrities have brand deals. They have, you know, contracts. So does your contract allow you to potentially chime in in this conversation safely? Are you going to risk turning off brands to wanting to work with you because it's a controversial topic.
一旦我们进行了风险评估,客户通常会意识到,他们不希望因为发声而冒着失去合作或演出的风险。
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So once we do that risk assessment, it often opens the client's eyes to say, well, I don't know that I want to put this deal or this gig that I've booked at risk by speaking out.
但有时他们与这个问题联系紧密,并且对此充满热情。我们可以以一种更深思熟虑的方式发声,并妥善处理。
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But sometimes they're closely connected and feel super passionately about the issue. And we can speak out in a, you know, in a more thoughtful way and do it properly.
我强烈建议进行风险评估,我认为这对于理解情况至关重要。
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But I certainly recommend that that risk assessment, I think, is really critical for understanding the landscape.
詹妮弗·劳伦斯的沉默:一种选择?
主持人:你提到了詹妮弗·劳伦斯和很多类似的情况。对话是流动的,情况会随着你参与的时间而变化,这很重要。女演员詹妮弗·劳伦斯最近表示,她不想因为发声而影响她的技艺。你对她的声明有什么看法?
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You talked about Jennifer Lawrence and a lot of these situations. The conversation is fluid. Things are changing depending on where you jump in. It's kind of important. And so actress Jennifer Lawrence recently said she does not want to take away from her craft by speaking up anymore. What's your take on her statement?
阿米尔·尼亚齐:我对这件事的看法有些矛盾。一方面,我同意我不一定想听到詹妮弗·劳伦斯谈论加拿大是否应该成为一个主权国家。
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I'm sort of divided on something like that. On the one hand, I agree that I don't necessarily want to hear from Jennifer Lawrence on, you know, if Canada should be a sovereign country or.
主持人:做好你自己的事。
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Stay in your lane, okay.
阿米尔·尼亚齐:做好你自己的事。通常,他们能谈论的最好的事情是他们的技艺,以及这有时如何自然地与政治或世界上正在发生的事情相交织,但通常情况下并非如此。所以她应该只谈论表演。
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Stay in your lane and and often the best thing that they can speak about is their craft and how sometimes that naturally intersects with politics or what's happening in the world, but oftentimes it doesn't. So she should just talk about acting.
主持人:正如你所说,她在那个片段中说,她正在扮演反映她的角色。
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And to your point, she in that clip, you know, she says, I'm taking on roles that reflect my.
阿米尔·尼亚齐:没错。她希望她的艺术为她说话。很多创意人员也有同样的感觉。他们希望他们的艺术能够引导这些对话,你可以随意理解它,这就是对话,这就是辩论。
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Exactly. She wants her art to speak for her. And I think a lot of creatives feel the same way. And they do want their art to be the thing that, you know, navigates those conversations and you can perceive it however you want. And that's the conversation. That's the debate.
另一方面,这可能会显得很懦弱,因为她不想冒着失去品牌合作的风险。她不想冒着失去纪梵希(Givenchy)或巴黎世家(Balenciaga)的风险。我不知道她有什么品牌合作,但当金钱摆在桌面上时,人们要么展示他们的勇气,要么回避这些艰难的对话。
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On the other hand, it can come across as cowardly that she doesn't want to risk her brand deals. She doesn't want to risk, you know, Givenchy or Balenciaga or whatever. I don't know what brand deal she has, but when money's on the table, that's when people either show their mettle or they, you know, shirk away from these hard conversations so it can be perceived, I think, as sort of the cowardly decision that you don't you you don't know what to say or you're not brave enough to say it.
因此,你只是说“我什么也不说”。正如我们一直在进行的这些激烈的对话一样,沉默也能说明很多问题。
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And so you're just sort of saying, like, I'm going to say nothing. And, and as, as, you know, from some of these heated conversations we've been having, silence can speak volumes.
明星的影响力:实际效果如何?
主持人:我很好奇,他们真的有多大的影响力?他们真的能推动对话超出推特或Instagram的范围吗?真的有实际的行动吗?
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I am curious, though, how much influence do they really have? Do they? Does it actually move the conversation outside of, say, a, you know, a tweet thread or an Instagram thread? Is there actual movement on? Sort of.
蒂姆·麦克劳克林:我认为像瑞秋小姐(Miss Rachel)这样的人,她一直保持对话,她真的非常坚信这一点,并且愿意冒着一切风险来保护这些孩子。我认为她可以做到。但对于大多数人来说,詹妮弗·劳伦斯说什么不会对对话产生真正的实际影响。
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No, I don't think so. Someone like Miss Rachel, who who keeps it in the conversation, who really this is something that she believes so strongly in and she's willing to risk it all to, to keep these kids at the forefront. Yeah, I think she could. But for the most part, you know, Jennifer Lawrence saying XYZ is not going to have a real tangible impact on the conversation.
主持人:好的。我们要谈谈瑞秋小姐。正如你提到的,瑞秋小姐是一位非常受欢迎的儿童教育家和艺人,拥有数百万的粉丝,并且在Netflix上也有节目。她最近发布了这条消息:“标记那些公开谈论加沙问题的名人、领导人和政治家。让我们感谢他们并关注他们。”然后在底部评论道:“我们不会忘记谁保持沉默,谁站了出来。”在社交媒体上,赞扬和羞辱真的有效吗?
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No. All right. We're going to talk about Miss Rachel. So let's bring this up. As you mentioned, Miss Rachel, very popular children's educator, entertainer, millions of followers and has a Netflix program as well. She recently posted this. It reads tag celebrities, leaders and politicians who have spoken out about Gaza. Let's thank them and follow them. And then she commented right at the bottom there. We won't forget who was silent and who showed up to. Is there something inherent in this moment in social media that makes praising and shaming effective?
蒂姆·麦克劳克林:这有我的专业回答和个人回答。我想先谈谈瑞秋小姐,因为我认为她是为数不多的做得对的人之一。我认为她可以比其他人更深入地挖掘这个话题。
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Well, there's sort of my professional answer and then my personal answer. I want to kind of talk about Miss Rachel, though, first, because I think she's one of the few. She's certainly an outlier, in my opinion, but she's one of the few that have done it right. And I think she can be she can dig into this conversation at a deeper level than I think some others.
因为她的职业生涯始于YouTube。她拥有自己的观众,并且仅仅通过她的YouTube就获得了非常可观的收入。Netflix的合作是后来才有的。
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Because her career started on YouTube. She owns that audience, and she makes a very lucrative career just through her YouTube. The Netflix deals and all of that came later.
因此,她不依赖于Netflix。我认为这就是她与众不同的地方,而且很明显她对此充满热情。这不是噱头,她没有感受到来自观众的压力而不得不说些什么。这是真实的,发自内心的。
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So she doesn't rely on that audience. So I think that's the difference for her, and it's clear her passion about it. It's not gimmicky. It's not. She's not feeling this pressure from her audience to say something. It's true and it's from the heart.
她与她的品牌——儿童——有着联系。她一直以此为先。我认为这就是对她有效的原因。
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And she's connected. The connection to her brand is children. She's led with that. So I think that's what works for her.
至于观众向名人施加压力,要求他们发声,或者羞辱那些发声或不发声的人,我实际上看到很多僵尸粉(Bot Farms: 通过自动化程序控制的大量虚假账号)在放大这些互动。
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As for audiences putting pressure on these celebrities to to speak out or are shaming them if they do or don't? What I'm actually seeing a lot of is, is, is bot farms amplifying some of this engagement.
因此,在这个数字时代,区分什么是合法的批评,什么是被有议程的人放大的,变得更加困难。
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So so it's become trickier in today's age, you know, this digital era to differentiate what's legitimate criticism and what's being amplified by people with with an agenda.
羞辱是无效的。短期内,羞辱可能会提供一些好处,但长期来看,研究表明,羞辱对于改变行为和真正说服某人他们的立场是错误的,是无效的。
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You know, shaming is ineffective. Shaming may, in the short term provide, you know, some benefit. But over the long term, studies show that shaming is ineffective for behavioural change and and truly convincing someone that their position is is wrong.
这是一个个人观点,但对我来说,羞辱文化已经走得太远了。
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So I think, you know, this is a personal opinion, but, you know, the shaming culture to me is just it's gone too far.
至于它对名人的影响,以及他们是否发声,我们必须更好地理解这种情绪是否是合法的,是否是真实的,然后进行我提到的风险评估。
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So that's on the shame side of things. And as for its impact on celebrities, and if they do or they they don't speak out, we have to better understand that that sentiment, if it's, you know, if it's legitimate, if it's true, and then kind of do that risk assessment that I mentioned.
主持人:好的,阿米尔,同样的问题。
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All right, Amil, same question here.
阿米尔·尼亚齐:这非常棘手,因为就像蒂姆所说的那样,谁在向这些名人施加压力,是他们的粉丝,还是巨魔,或者是有不良影响的人,这很难确定。
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Yeah. I think it's really tricky because, you know, of everything has said about the legitimacy of who is sort of like putting the pressure on these celebrities. Is it their fans or is it, you know, sort of trolls or, you know, people with nefarious sort of influence?
但我认为我们正在走出一种羞辱文化。如果你还记得“黑方块”时代,在疫情期间,当名人面临很大的压力,要发布黑方块,让黑人的声音在社交媒体上得到放大,那是一种荒谬的运动。
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But I do think that we are stepping out of a shaming culture. I think you're starting to see more and more, if you recall, like during the Black Square era, you know, during the pandemic when there was a lot of pressure on celebrities to post a black square, to sort of let black voices be amplified on social media, it was a kind of an absurd movement.
事实很快证明,这有点像一个笑话。
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It proved very quickly to be, you know, a little bit of a joke. Right?
这让那些发布的人和那些没有发布的人都处于非常尴尬的境地,而且最终这并不合法。
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And so it put, put the ones who posted it in a very awkward position and ones who didn't post in a very awkward position, and it wasn't legitimate in the end.
我认为我们正在走出一种人们觉得必须追随潮流的境地。在“黑方块”时代,你还看到了很多道歉,名人说“对不起,我做了这件事”,我们期望他们为自己的错误道歉。
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So I think we're coming out of